| |
Wireless First Produces RF-Heavy
VMAs
MIAMI, FL—For its 21st Video Music Awards show
in late August, MTV found a way to spice-up the yearly music fest by moving
it to a brand new location.
Hosted in Miami for the very first time, the 2004 VMAs presented a new challenge
to Wireless First, the New York-based RF specialist company headed by Kevin
Sanford, who brought in many channels of Sennheiser wireless equipment for
the telecast.
|

|
|
"This year, MTV decided they wanted to do it in
the round," reports televised awards show veteran Sanford, who was
in charge of all of the RF systems for the show, including wireless performance
microphones and personal monitor systems, presenter microphones and production
intercom systems. "I asked, 'What do you want us to cover?' The
answer from MTV production was, 'Everything!'"
|
|
He continues, "We had 24 channels of Sennheiser
SKM5000 microphones inside the arena. Those were each fitted with the Neumann
KK105-S capsule. We used
all Sennheiser 3032-U dual true diversity receivers. We also supplied 12 channels
of Evolution 300 Series personal monitor systems." "In addition to the performance and presenter microphones," Sanford
notes, "There were four podium mics. Those were all wireless, with the
Sennheiser SK50 beltpack transmitters. And we had another 12 Sennheiser SKM5000
RF mics outside."
Televised live from Miami's American Airlines Arena,
the awards extravaganza used multiple stages throughout the venue while also
broadcasting from the
grounds outside the building. "We had to cover the pre-show, arrivals,
awards show and post-show as well," notes Sanford.
Including the MTV production, roaming ENG crews and
pre-existing local RF systems, Sanford had to negotiate a tangled web of
RF traffic. "It was
guerrilla TV, let me tell you," he laughs. "I also put in about 140
channels of RF intercom for production, inside the arena and outside. Inside
alone there were 18 stage managers."
The hundreds of wireless channels in use meant that
artists were encouraged to use the microphones provided by Wireless First
rather than their own, explains
Sanford. "Obviously I try to accommodate the artists, but generally I
just have to say no. Throwing another frequency into the mix is extremely difficult.
And we can usually find a match for whatever mic they prefer."
JET, who performed on the show and also took away the
award for Best Rock Video for their hit single "Are You Gonna Be My Girl," utilized most
of their arsenal of Evolution Series mics. "I managed to use our own e945
vocal mics while performing," reports the band's FOH engineer, Johnny
Haskett. "We let them put a another mic on the guitars, but we made sure
there was an e609 Silver on there as well!"
Other rock acts, such as Hoobastank and Yellowcard, who performed back-to-back
with JET in a rock 'n roll medley, used only one RF mic. In contrast, notes
Sanford, the hip-hop medley, featuring Lil Jon with his East Side Boyz, the
Ying Yang Twins, Petey Pablo and Terror Squad, used 14 RF mics.
Pictured above is Usher using the Sennheiser SKM5000-N with the Neumann KK105-S
capsule.
The next endeavor for Wireless First and its Sennheiser
wireless systems was "Fashion
Rocks" at Radio City Music Hall in New York City. Sanford was glad to
be home after that exhausting week in Florida. "It was quite an undertaking
and MTV stretched everybody, but they should be very proud of the product that
they got."
FRONT OF HOUSE ONLINE ARTICLE
| | |